This question was asked by the Art historian Arthur O. Eger.(Decorative
Kunst, De Bilt, 1995) He had been impressed by the similarities between
migrainous visual hallucinations and the geometric forms of decorative
ornaments, and between mosaic illusion and the visual features of Picasso’s
cubist paintings. As an artist who has suffered from migraine since
adolescence (I still do, although to a lesser extent than when younger), it is
something that I don’t normally want to think about too much. However, I was
reminded recently when I was contacted by a collective called AXNS, who are putting together an
exhibition about Art and Neuroscience. They have invited me to show
some of my work and to talk about how migraine has informed my work. I made a
number of pieces directly related to migraine experience for competitions for
which I managed to win several prizes.You can see them here. I think this had a balancing effect as I feel the
prize money was a just compensation for all the migraine suffering.The
work is owned by several pharmaceutical companies and I have suggested to AXNS
that they borrow some for the exhibition, though how easy that will be remains
to be seen.
I’ve realized that some of the recent work I showed at
Da Gadderie, at the Shetland Museum and
Archives, (see previous blog), has been influenced by migraine experience. In a
lot of the drawings the image bleeds out of the picture, which is similar to
the loss of peripheral vision that happens when I get a migraine. A much
earlier connection with migraine, which at the time I didn’t realize, was my liking
for the work of Giorgio De Chirico from the period 1912- 1924. It has been
proven that he suffered severely from migraine (L’Aura di Giorgio de Chirico
by Ubaldo Nicola and Klaus Podoll). So, was I attracted by the brilliance
of his Metaphysical paintings, or subliminally, by the imagery that I
recognized being used by a fellow migraine sufferer?
Migraine
Man Tryptich, conte on paper, 1993, collection
Glaxo, Smith, Kline
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